![]() The Night Agent is already one of Netflix’s most-watched original series to date, but while the show is tremendously fun, the company’s real crown jewel in the Dad TV space is a bit more elevated: a high-stakes political thriller in which snappy dialogue feels as charged as a fight scene. While Prime Video remains the go-to streamer for Dad Television, Netflix finally got in on the game this year, and the results have been encouraging. Copenhagen Cowboy won’t be for everyone, but if you can get on the show’s self-indulgent wavelength, it’s a mesmerizing experience that could be delivered only by Refn. If that sounds high energy, I should note that the pacing is so slow you’d think someone released quaaludes into the local water supply. The bare-bones plot concerns Miu (Angela Bundalovic), a soft-spoken loner who passes through various criminal organizations using her supposedly supernatural gifts until she acquires a taste for vengeance. Scenes suddenly interrupted by borderline fetishistic bouts of ultraviolence? You know it. ![]() A synth-heavy Cliff Martinez score? Check. A seedy underworld that’s brought to life with neon-lit compositions and leering 360-degree camera pans? Check. Refn’s latest project, the six-episode Netflix series Copenhagen Cowboy, amounts to a greatest-hits compilation from the filmmaker. The same sentiment applies to the recent works of Nicolas Winding Refn, the polarizing Danish auteur who has migrated from the big screen to streaming services without compromising his unique sensibilities. With those exceptions in mind, these are the best shows of the year so far.įor fans and detractors alike, it’s become something of a running joke that Wes Anderson has such a recognizable (and somewhat unchangeable) aesthetic that you could identify one of his movies from a single frame. It’s been so overwhelming, in fact, that I have an ever-growing list of acclaimed series that I still need to catch up on-apologies to Dead Ringers, Somebody Somewhere, Jury Duty, The Other Two, and Perry Mason, which I promise I’ll get to at some point. (Full disclosure: I’m a member of the Writers Guild of America, East.) At the same time, I wouldn’t blame the average viewer if such concerns aren’t at the top of their mind: For all the industry turmoil, there’s been no shortage of good shows that have come out in the first half of 2023. If a new deal isn’t reached between studios and the Writers Guild of America in the coming months, the ongoing strike could begin affecting TV lineups this fall and beyond. □ From House of Cards to Beef : the greatest Netflix originals.It’s a strange time to be covering television. □️ The best movies to catch at the cinema this month. We’ll add the highlights here as they arrive. But you better binge them fast, because one thing about TV in 2023 is that the shows never stop coming – the ongoing SAG and WGA strikes notwithstanding. ![]() Īll of them are worth carving out time for. ![]() Others, however, snuck up even on us, such as Amazon’s surreal I’m a Virgo and Fox’s hilarious Colin From Accounts. Some of them, like Succession, The Last of Us and The Bear, you’re certainly familiar with, unless you’ve been living under a rock on Mars with a bad internet connection. To help you figure out how best to focus your telly time, we’re conducting an ongoing ranking of the most elite television series of 2023. But the sheer amount of choice can get overwhelming, to the point where you might just give in and rewatch The Office for the 54th time. Don’t get us wrong, it’s a great problem to have. Every week, it feels like there’s a whole crop of new shows vying for our time and eyeballs. Are we still living in the ‘Golden Age of Television’? That’s debatable – fans of The Sopranos would certainly say otherwise – but what’s for certain is that we’re currently in an age where there seems to be simply a lot more TV than ever before. ![]()
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